Painting I
ARTS 207.003—Fall 2014
Instructor: M. Cornelia Oliver
office hours by appointment
Rm: ART 245.
T/R 5:30 – 8:15 PM
SCHEDULE:
Subject to change, as needed, by instructor.
WEEK
1: Observation and Immediacy (DRAWING)
August
19- Introduction to class and 50/4 Drawing Assignment. Go
through syllabus, begin with sketches. THIS IS A WORK DAY! BRING IN YOUR
DRAWING SUPPLIES!
August
21- Continue with drawing. Paper stretching demo at end of class. BRING SUPPLIES!
WEEK
2: Line, Structure, and Mark-making
(DRWG/ ACRYLIC)
August 26- 50/4 Drawing Assignment DUE. Continue with drawing.
August 28- Intro to acrylic paint. Media
experiments and media studies on paper. Still life study in value (black & white on white paper).
WEEK
3: Value, Blocking, Positive &
Negative (ACRYLIC)
September 2—Mid-tone, grisaille
introduction (black & white on grey ground)
September 4--Introduction
of positive/ negative space, reflectivity (black & white on black paper).
WEEK
4: COLOR! (ACRYLIC)
September 9—Grisaille study DUE. Color lecture, begin color experimentation. testing color + value relationships (Black and white on toned paper). Monochrome still life
due next class.
September 11-- MONOCHROME still life DUE. Color lecture
continued. Complimentary studies on white, black, and toned grounds. Assign color wheel.
WEEK
5: COLOR! continued (ACRYLIC)
September 16—COLOR WHEEL DUE. Answer questions about
color mixing in acrylic. Analogous color studies. Introduce STILL LIFE PROJECT Panel DEMO in shop (REQUIRED!)
September 18—Unexpected color painting. Psychological color effects.
WEEK
6: Psychology in Image Building (ACRYLIC)
September 23--
UNEXPECTED COLOR painting DUE. Discuss narrative and intent in composition. Discuss object choice to reinforce color composition. Bring in objects to work on STILL LIFE. WORK
DAY!!
September 25—STILL LIFE DUE. Critique day! Discuss materials for painting with oils.
WEEK
7: Direct Painting (OIL)
September 30—Intro to oils. Basic Color
theory Review. Basic Color Mixing for painters: Laying out a palette, Creating
earth and intermediate colors (mixing complements), Shades, Tints, Color Chart (oil).
Intro to MASTER COPY/ MASTER STUDY
October 2-- Color Chart DUE. Alla prima painting
WEEK
8: Direct Painting (Cont) (OIL)
October 7—Discuss Fat over Lean Stretcher
DEMO in shop (REQUIRED!)
October 9-- FALL BREAK
WEEK
9: Color Blending and Immediacy (OIL)
October14— Intro to Scumbling,
October16-- Intro to Dry brush
WEEK
10: Intro to Indirect Painting:
Glazing! (OIL)
October 21-- MASTER COPY/ MASTER
STUDY DUE Intro to LANDSCAPE Intro to Glazing
October 23—Glazing OVER grisaille, glazing continued
WEEK
12: Color, Layering, and Composition (OIL)
October 28-- Intro to Hatching
October
30--
LANDSCAPE DUE. Intro
to Intro to Broken
Stroke. PSYCHOLOGICAL SELF PORTRAIT
WEEK
13: Texture and Psychology (OIL)
November 4--Intro to Impasto
November 6--Intro to Palette Knife
WEEK
14: Why we make art (OPEN)
November 11: PSYCHOLOGICAL SELF
PORTRAIT DUE. Intro to FINAL
November 13: Lecture on CONCEPT and ARTIST STATEMENT
WEEK
15: Portfolio Reviews! FINAL PAINTING (OPEN)
November 18: Portfolio reviews*/ work day for FINAL PROJECT
November 20: Portfolio reviews*/ work day for FINAL PROJECT
WEEK
16: FINAL PAINTING (Cont)
(OPEN)
November 25: Work day for FINAL PROJECT
November 27: THANKSGIVING
WEEK
17: FINAL PAINTING (Cont)
(OPEN)
December 2: Work day for FINAL PROJECT
December 4: FINAL PROJECT DUE. Hang show.
WEEK
18: FINALS WEEK
*Portfolios
must contain all IN CLASS assignments,
HOMEWORK,
NOTEBOOKS, and PROJECTS
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